Verne's digressions of science and classification are not bound up in the purpose and philosophy of his story, as Melville's are, which leads to another problem that I have been carefully weighing in my own writing: what to include. Again and again, Verne spends long parts of chapters listing through types of fish seen outside the ship.
Some of these are like Ovid's lists: full of lovely images, colors, and shapes, a melange of words and sounds that approaches a sort of poetry. Some contain humorous or interesting details which have some bearing on the situation at hand. Yet in many instances, they are merely long, dry, and add nothing to the book. It certainly makes sense, as our narrator is a trained classifier, and duly interested in such things, but one of the rules of fiction is that we leave out reality when it is dull or extraneous, or pass it by with a few words, as Verne does dozens of time, commenting on the passing of days or weeks in a paragraph or even a sentence.
To me, leaving in such long-winded, repetitious digressions was a mark against the book. But then, science fiction is very fond of such digressions, and Verne also indulges in the other kind: the long chapters of explanation about length, tonnage, and the particulars of undersea travel, all taking place at the slow pace of a Socratic dialogue: 'but then how do you replenish these sodium batteries being, as you are, always at sea', 'well, you see, I distill it from the very.
And of course, almost none of these myriad details are ever shown to be important again. My general rule is to only go into detail so much as it: I.
Impacts the story directly II. Sets an artistic mood III. Symbolically explores the philosophical ideas in the book, or IV. Is amusing, in and of itself But then, Verne is not only indebted to Melville, but to Poe, and his disjointed, bizarre story The Narrative of Arthur Gordon Pym of Nantucket --his only foray into the novel, and one of those books that is so flawed and unusual that it has inspired whole generations of authors who feel that, with a bit more focus and tightening up, they might turn its form into something quite strong.
So, when we rush from carefully-detailed and researched science and plunge into silly, unsupported tall tales in Verne, we can, to some degree, thank Poe, whose story started as a straightforward travelogue and ended as some kind of religious symbolic fever dream. But it is strange to me to see Verne spend a chapter talking meticulously about the tonnage of the Nautilus and what volume of water would be required to sink to certain depths, and then claiming that sharks can only bite while swimming upside-down and that pearl divers in Ceylon wouldn't be able to hold their breath for more than a minute at a time.
It just goes to show that no matter how much careful research and deliberation you put into a book, you're still going to make errors, so in the end, you might want to focus more on your story, plotting, and pacing things you can control , and less on endlessly researching things that could just as easily be passed over without the story losing anything except length. And overall, this is what I wish Verne had done.
While I respect the intelligence and precision with which he pursues his work, and I would definitely not rank him among the pulps, the very rich character story at the center of the book was too lightly touched upon, when, as in Frankenstein or Moby Dick, it could have been the focus, and made for a much stronger book.
The characters, the conflicts, and the psychology were all there, but in the end, we leave the book without a completed arc. View all 16 comments. Actual rating: 4. I would even go so far to say that there is more info-dumping than there is plot. However, Verne has a way of pulling you into the story and writing in such a enthralling way that this large amount of explanations and listing of names isn't boring or repetitive.
It just adds to the story and to the development of the characters. I'm not surprised in the slightest that there are people out there who are a Actual rating: 4. I'm not surprised in the slightest that there are people out there who are actually convinced that Verne is telling a non-fictional tale. It all just seems so real, believable and convincing.
I also felt this constant air of mystery while reading, which was strengthen further by how many things are left to the imagination and remain unresolved. I do have to say that I strongly believe that this book isn't for everyone, especially due to the large extent of maritime information.
I'm a huge lover of ocean animals though, so I certainly felt lots of joy while reading. View all 7 comments. May 05, Werner rated it it was ok Shelves: classics , science-fiction , books-i-own.
Verne's works are difficult for an English-speaking reader to evaluate fairly, because he wasn't well-served by the English translations of his day --which are still the standard ones in print, which most people read.
The translators changed plots and characters' names in some cases, excised passages they considered "boring," and generally took a very free hand with the text; so you never know how much of the plodding pacing, bathetic dialogue, and stylistic faults for instance, what passes for Verne's works are difficult for an English-speaking reader to evaluate fairly, because he wasn't well-served by the English translations of his day --which are still the standard ones in print, which most people read.
The translators changed plots and characters' names in some cases, excised passages they considered "boring," and generally took a very free hand with the text; so you never know how much of the plodding pacing, bathetic dialogue, and stylistic faults for instance, what passes for "description" here is usually simply long lists of marine species whose appearance most readers have no idea of to blame on them and how much on Verne.
In any case, those characteristics are fully in view in the translation of this novel that I read, in addition to the basic 19th-century diction which will be off-putting to many modern readers anyway my wife chose not to finish the book. The success of the book when it was written, in my opinion, owed much more to the novelty of the premise than to the execution of the finished product; and today, where submarines and undersea travel are commonplace, that factor doesn't operate.
This is a pity, because Captain Nemo is actually one of Verne's more complex and memorable characters, and deserves a better literary medium for his story! View all 17 comments. View 1 comment. Nov 07, Blaine rated it really liked it Shelves: , from-library.
My eyes did not leave the Captain, who, with his hand stretched out to sea, was watching with a glowing eye the glorious wreck. Perhaps I was never to know who he was, from whence he came, or where he was going to, but I saw the man move, and apart from the savant. It was no common misanthropy which had shut Captain Nemo and his companions within the Nautilus, but a hatred, either monstrous or sublime, which time could never weaken.
Did this hatred still seek for vengeance? The future would soon My eyes did not leave the Captain, who, with his hand stretched out to sea, was watching with a glowing eye the glorious wreck. The future would soon teach me that. Between and , ships across the world keep encountering what appears to be a giant, dangerous narwhal.
Choosing life over death, the three reluctantly agree to remain on the Nautilus, and under the control of its Captain, the mysterious, magnetic Nemo. Thus begins this classic adventure tale by Jules Verne, one of the foundational writers of science fiction. Unlike H. Wells, who wrote science fiction that was far more philosophical than technical, this book reads like an old-timey Michael Crichton novel.
It foretells modern submarines, scuba gear, and greater use of electric power. It also predicts future trends from trying to save the whales and ecological protectionism to opposing sport fishing and living as a pescatarian.
Captain Nemo is, of course, the most interesting character here even though, like Captain Ahab in Moby Dick , we only see him sporadically and only through the eyes of the narrator. The journey of Nautilus spans the globe, exploring underwater forests, coral graveyards, the South Pole, and even Atlantis.
The story paints a picture of a beautiful undersea world, with creatures real and imagined, including the famous giant squid. View all 5 comments. Dec 31, J. Sutton rated it liked it. However, even though it is told as a tale of adventure, there is more to Verne's famous story. The science in Twenty Thousand Leagues, especially considering the time it was published, is amazing. We got a sort of psychological account of Captain Nemo, but I would have liked more backstory on how he got to be the man our protagonist meets.
What were his accomplishments before he became the recluse we As a story of adventure, Jules Verne's Twenty Thousand Leagues Under the Sea seems a bit dated. What were his accomplishments before he became the recluse we see in the story? Still, it was an easy read and, since I'm now scuba diving in Honduras, quite timely! View all 6 comments. This is definitely one of the best classic science fiction I've read so far.
I was amazed that Verne might have started the idea of the submarine and the under the sea explorations. While I was reading this, I was contemplating where he got his ideas or whether silly it might be, he could have time traveled from his time to the future or vice versa.
Some oysters are veritable jewel boxes. I've even read of an oyster-but I can hardly believe it-which contained no less than a hundred and fifty sharks. It wouldn't make sense to say sharks. I always feel a bit weird reviewing a book that I haven't read "Is more than one pearl ever found in an oyster?
I always feel a bit weird reviewing a book that I haven't read in its native language. Translations are all very well, but the very soul of a book must always be lost when it comes to being turned in to English, unless, of course, the original author is the translator. Then it is not translation, just bad writing. But translations are odd things and, sadly, the only thing available to me and thus are all I can review. In the case of 20, Leagues Under the Sea it is a translation, but a mighty one.
I was captivated from the start, with the magnificence of the descriptions, setting the scene, getting me excited about the whole ruddy adventure. I enjoyed Professor Aronnax and his very Passepartout-esque servant Conseil and their rather odd relationship.
Ned Land was grand, if only for a laugh. And then we got on Captain Nemo's submarine, the Nautilus, and two things happened. Captain Nemo was, honestly, pointless. He wasn't to be feared, or particularly enigmatic.
He was just a bit of a lonely loser. He should have been explored more-not to the extent that the mystery was solved completely, but surely to a deeper level akin to what his submarine goes to.
Captain Nemo was, in short, a huge disappointment. His so-called revenge on society is, quite frankly, pathetic, as well. Secondly, we sink in to a deluge of classifications of fish and other marine life. Countless lists of the things Aronnax, Conseil and Ned see. Countless fish.
I understand that the sea holds many of these, but to list them all is ridiculous. It felt like nothing but tedium and perhaps a little showy-showy. I suppose an adventure that is trapped beneath the waves will have limitations in how quick the pace can go, but the very nature of the journey and the interim expeditions-whilst incredibly imaginative and very forward-thinking-tended to be slow and fairly lacklustre.
The whole thing petered out in a rather tremendous fashion. I feel slightly cheated by it, to tell the truth, as the start really had me engaged and mentally prepared to be taken on a fantastic journey. Instead, I just learned about latitude and classifications of fish. View all 3 comments. Shelves: adventure , science-fiction , victorian. I picked this book up -- this specific edition -- because I saw it was illustrated by the Dillons. This was fortunate because it turned out that, contrary to my previously held belief, I had not read it.
What I had read as a child was some heavily edited-for-excitingness version almost entirely absent the encyclopedic accounts of marine life and oceanic conditions that constitute the bulk of the text. So few are the actual adventures of Nemo and the Professor and his two companions that I now wo I picked this book up -- this specific edition -- because I saw it was illustrated by the Dillons.
So few are the actual adventures of Nemo and the Professor and his two companions that I now wonder how they managed to get enough material to still have a book. The narration of the action is very understated, also, so I wonder if it was actually rewritten for the volume I had. With modern special effects this could make a great movie -- not an action film, but more like a marine documentary with strange asides into the human psyche.
The above image a Ransonnet-Villez lithograph of corals is not from or even directly related to this book, but merely an illustration of the type of investigation of the undersea world that was becoming possible at the time due to new technologies. View all 11 comments. Nov 19, Apatt rated it really liked it Shelves: classics. The book really is what it says on the tin, a large part of it book reads like a travelogue with more marine biology infodumps than I know what to do with.
The version I read is translated from the original French by F. Walter with an excellent introduction by Mr. Walter that is informative, not too long and creates a nice sense of anticipation. That sentence went on so long I train of thought has derailed Oh yes! Basically, Prof Aronnax and co go hunting for a creature they believe to be a mega-whale which they believe to have sunk several ships in the ocean and has to be stopped.
As luck would have it, their own ship is sunk and the creature they are hunting turns out to be the high-tech submarine the Nautilus. I see what you did there Mr. I have to confess I am not an enthusiast of marine biology so my mind did float off to other places during some of the more educational passages.
In all fairness, the book never bored me though, the tone of the narrative is always affable and pleasant to breeze through. This scene is brilliantly depicted by Verne, I was surprised how vivid and effective it is even in written form.
Ned Land may be a little plebeian but at least he is his own man. Aronnax is the least interesting of the main characters, but he makes a good narrator. Captain Nemo is, of course, awesome. A sort of Sherlock Holmes crossed with Batman — with gills well, no gills but I bet he wishes he has them. Michele Fry. Thank you! View all 10 comments. Jun 08, Jason Koivu rated it liked it Shelves: fiction , classics. Look familiar?
I know, I know That's just not what Jules Verne intended. Hey, Disney tried and it was fun when I was about 7 or 8, but back when Vernes wrote this, he was writing a true thrill ride! The story is of an underwater mission to seek and destroy a sea monster.
That premise is turned on its head and the story takes a more scientific and character-based slant. Verne takes his readers on a trip to new worlds, som For years this is what Twenty Thousand Leagues Under the Sea meant to me Verne takes his readers on a trip to new worlds, some real and just recently discovered as well as his own fictionalized lands.
This must have been an edge-of-your-seater back when it came out. It looks a bit dated when held up to the light of the 21st century though. The writing is not stellar, but as pure adventure there are certain passages that still entertain and send someone like myself back to my childhood and that silly ride at Disney.
Aug 19, Chad Bearden rated it it was amazing Shelves: science-fiction. You can't be a serious science-fiction reader without delving just a bit into the genre's roots. To remedy an embarrassing lack of any Jules Verne on my reading list, last year I read "Journey to the Center of the Earth".
I can see how to a young reader, it would be an instant classic. It's a pretty ripping adventure complete with hidden underground worlds and dinosaurs and gleefully wrong-headed theories about geology. What's not to love? Maybe I was a little disappointed? I was hoping for more You can't be a serious science-fiction reader without delving just a bit into the genre's roots. I was hoping for more than just a corny adventure story.
There wasn't a lot there send me searching the shelves for another Jules Verne novel. But, alas, "20, Leagues Under the Sea" sat there anyway, patiently waiting for me be curious enough to crack it open.
Its prospects weren't too hot, but it did have one thing playing to its advantage, and that one thing was: Alan Moore. You see, Alan Moore had written several years ago, a Victorian era literary adventure comic called "The League of Extraordinary Gentlemen.
For its base of operations, the team used The Nautilus, the otherworldly submarine of Captain Nemo. Moore's version of Nemo was about a million miles away from the James Mason version in the classic Disney movie, which was a lot closer in tone to the goofy peril invoked in "Journey to the Center of the Earth". Moore made Nemo dark and brooding and ambiguous and cryptic. There wasn't anything corny about it. Okay then I gave Verne another chance, and plucked the novel off the shelve and had a look.
Unexpectedly, the first thing I read was a brief introductory essay by Ray Bradbury comparing "20, Leagues" to "Moby Dick", laying out a convincing arguement for how Nemo and Ahab are opposite sides of the same coin: Ahab evil in his pursuit to conquer the Great Whale and the sea, Nemo evil in his pursuit to become one with it. Now Ray Bradbury has always been a bit of a starry-eyed dreamer which isn't a bad thing , so it wasn't too far fetched to think he was reading this Verne novel through rose-colored lenses, but quite frankly, nothing in "Center of the Earth" really lent itself to being compared seriously to any Great American Novels, so perhaps I'd be dealing with something different this time out.
Equipped with a bit of optimism, it was time to let the book speak for itself. And the novel spoke for itself. Where "Center of the Earth" was a slick popcorn action story, "20, Leagues" is dark and gritty and real. Rather than cartwheeling through flashy action-set-pieces, the story of Doctor Arronax and harpooner Ned Land's imprisonment by Nemo is a crawling, cryptic one. It moves very slowly and deliberately, taking its time to offer lavish descriptions not only of the expansive vistas of the world's oceans, but also of the Nautilus, the grand undersea palace constructed by Nemo in his self-imposed exile from society.
Some of the descriptions of sea life are almost tedious okay, 'almost' nothing, they really are tedious. As our narrator is a marine biologist, we are graced with several encyclopedic descriptions of every possible creature you might find in the depths. Slowly, however, you begin to realize how much in love with the ocean Arronax is, and all the endless cataloguing of sea-life are really the doctor's love poems to the sea.
And via Arronax's great passion, Nemo slowly becomes less of a villain. How villanous is it exactly to offer an awe-struck marine biologist an opportunity to spend the rest of life studying things no other scientist could even dream existed. Which paves the way for Ned Land, the restless harpooner who keeps popping his grizzled nose into the room and reminding everybody that Nemo is a megalomaniac bastard. Which is basically true, but honestly, I only begrudgingly accepted Nemo as the bad guy, maybe because I, like Arronax, am a scientiest at heart.
Anyhow, the moral ambiguity of Nemo, the starry-eyed wonder of Arronax, the tough-as-nails grit of Ned I honestly think Verne was picturing Kirk Douglas when he created Ned gives the reader a host of characters with whom to get deeply invested. Combined with the intricate and luxurious descriptions of the world under the ocean, "20, Leagues" is a vastly different sort of adventure than "Center of the Earth". Much to my surprise and delight, it is far more than a schlockly romp around the ocean.
It may not be at the same level as "Moby Dick", but it definitely reads as a work of fine literature. Nov 04, Olivier Delaye rated it it was amazing. The oceans during the late s are no longer safe; many ships have been lost. Sailors have returned to port with stories of a vicious narwhal a giant whale with a long horn which sinks their ships.
A naturalist, Professor Pierre Aronnax, his assistant, Conseil, and a professional whaler, Ned Land, join a US expedition which attempts to unravel the mystery. The adventure written a hundred years before its time becomes a motion picture to remember forever! Did you know Edit. Trivia The undersea footage was shot in the Bahamas in the same location that was used for the silent 20, Leagues Under the Sea Goofs When the natives are coming down the stairs of the Nautilus, the lead native is wearing a wedding band.
Quotes Captain Nemo : I am not what is called a civilized man, Professor. All cuts were waived in when the film was re-rated with a 'U' certificate for home video. User reviews Review. Top review. Exciting and thrilling submarine movie dealing with the Nautilus captained by Nemo masterfully played by James Mason.
Magnificent adaptation based on Jules Verne's fantasy-adventure novel with good cast and extraordinary scenarios. New take on for cinema , filmed in Cinemascope widescreen with agreeable casting and an awesome James Mason as Nemo.
The film talks about the known story from Jules Verne novel and previously rendered in a silent film. The naturist and biologist expert named professor Pierre Aronnax Paul Lukas and assistant Conseil Peter Lorre undertake a dangerous mission. Aronnax and his helper , along with a professional whaler named Ned Land Kirk Douglas join forces in an expedition commanded by captain Farragut Ted De Corsia that attempts to unravel the mysterious sinking ships by an unknown creature.
At sea, Professor Aronnax was aboard the ship when Nautilus rammed it and threw the Professor, his helper and Ned Land into the water. Their ship is sunk and are captured and get thoroughly involved with power-hungry captain Nemo James Mason and take an extraordinary adventure underseas in an advanced submarine called Nautilus. Prisoners at first, they are now treated as guests to view the underwater world and to hunt under the waves. Nemo will also tells them about the riveting submarine of the future and the revenge that has driven him for all these years.
This fantastic movie displays sensational adventures, drama, intrigue, marvelous scenarios and is pretty enjoyable.
Fascinating submarine movie blends action, , disaster spectacle, hokey fun ,suspense and emotional happenings. Our heroes incarnated by a throughly believable casting of the first-rate character players get stuck in the ship before the island explodes , undergoing numerous adventures and suffering innumerable perils. Surprise-filled entertainment and with plenty of action on grand scale with breathtaking special effects and some ships and submarine by maquette or scale model.
The underwater scenes , explosions , pyrotechnics, flood , flamboyant FX to make large-size Octopus seem like horrible monster , all of them are spectacular and the film is another exceptional Hollywood product. However, overlong runtime is not boring but is entertaining and amusing.
Atmospheric and vivid score by Paul Smith. Colorful cinematography by Franz Planer in Cinemascope and Technicolor reflecting wonderfully underwater scenes. Filmed on location in Jamaica and Caribbe and interior scenes in Burbank studios.
Their journey continues, this time heading across the Atlantic towards the British Isles. Nemo proceeds to make precise observations and finally declares that he has found the spot he has been seeking. He submerges the Nautilus , and they soon come across the wreck of a battleship — the Marseillais.
The crew of that ship fought heroically in a battle against the British, and rather than surrender, the captain decided to sink the ship and its entire crew.
Aronnax, Conseil and Ned realize that Captain Farragut must have told the world about the submarine when he returned to America. Captain Nemo sends everyone below deck and starts a game of cat and mouse with his adversary.
The three companions hatch a plan to escape and swim to the battleship as soon as it comes a bit closer. Yet before they can put their plan into action, the Nautilus dives and rams the warship from below, causing such damage that the ship starts to sink.
A gloomy, silent Captain Nemo watches the sinking ship and all its drowning victims and then returns to his room. Before the door closes behind him, Dr. Aronnax sees him break down sobbing in front of the picture of a woman and two small children. The Nautilus leaves the site of the battle and starts heading north toward the Arctic seas.
Finally, there is land in sight, and the three companions again prepare for escape. Whereas earlier Dr. Aronnax was slightly reluctant to leave the Nautilus and the sights and beauty of the world under the sea, now he is ready to go; his esteem for the captain is completely gone. A day of waiting ensues. When the time finally comes, Dr. Aronnax encounters a problem: Captain Nemo has left his room and is playing the organ in the salon, which Dr.
Aronnax must cross in order to get to the dinghy. He carefully tiptoes through the room and manages to get to the other side without the captain noticing him. The three men make it into the dinghy and close the door behind them. However, just as Ned, Conseil and Dr.
Aronnax are loosening the bolts which fix them to the Nautilus , the submarine gets sucked into a maelstrom — dangerous waters just off the coast off Norway that form a powerful whirlpool from which no ship has ever escaped.
The Nautilus and the still attached dinghy start to go around in an ever faster spiral. Suddenly, the bolts break apart and the little vessel is flung into the center of the whirlpool. Aronnax hits his head and is knocked unconscious. Miraculously, they all survive, and, when he awakes again, he is in the hut of a fisherman on the Loffoden Isles, together with his two companions. He has no memory of how they escaped the maelstrom. Aronnax finishes his tale with good wishes for Captain Nemo, hoping that he, too, managed to escape and may continue his life in the oceans and that he will eventually stop hating humankind.
Up until the mystery of the sea monster is lifted, mounting tension characterizes the narrative. After Dr. Aronnax and his companions board the Nautilus , shorter episodes of action and adventure take place, following the conventions typical of an adventure story.
Unexpected events, explorations, situations of danger and rescue occur. The story is told solely through Dr. The story line is interspersed with long and detailed scientific observations of the underwater world and the creatures living in it, as well as the technology that powers the submarine. While these lengthy and almost academic passages may put off some readers, the overall story is riveting, full of tension and bound to draw in even the most reluctant reader.
Jules Verne lived in an era of great technological progress and inventions, and most of the science and technology in his novel already existed in his lifetime, though possibly not quite in the advanced form that he described. The first working submarine is mentioned around It was a leather-clad rowing boat, designed by the Dutch inventor Cornelius Drebbel.
It had air tubes that transported fresh air into the boat when underwater. It was 20 feet [6. It had a rudder as well as an air-supply system and used a foldable sail to move when on the surface. Twenty Thousand Leagues also shows the influence the political climate had on Verne. Despite the fact that Verne had a clear idea of the story line and characters when he started writing Twenty Thousand Leagues Under the Sea, there exist two quite different manuscripts of the novel.
Verne finished the first one in and the second — which has become the definitive version — in There are marked differences between the two manuscripts, with characters changed and whole passages altered. It is believed that Verne introduced many of the changes based on suggestions or some might say interference from his publisher, Pierre-Jules Hetzel. In , the deluxe illustrated edition was published, including more than illustrations.
The first English translation appeared in However, the translator, Lewis Page Mercier , introduced many errors, sometimes changing the meaning of the original. He also cut the text by almost a quarter. Despite its faults, it remained the standard English translation for more than years. Verne was fascinated by the sea and spent a lot of time on boats, where he found inspiration for his novels.
He bought himself a yacht and turned it into a floating office, which is where he wrote the first draft of Twenty Thousand Leagues Under the Sea. As a result, several Scottish landmarks found their way into the novel. For example, the underwater mountain that Captain Nemo and Dr. It was George Sand who planted the initial idea for the novel, suggesting to Verne that the sea was the one area where his scientific knowledge and imagination had yet been put to use. Both critics and the public agreed that this was the best work Verne had ever written.
The first edition sold out within a week. However, his works deeply influenced popular literature and film. Twenty Thousand Leagues has had several screen adaptations and has also been turned into an animated picture. Probably best-known is the Disney Studios version from , a live-action Technicolor film with James Mason and Kirk Douglas as the main characters. However, most film adaptations diverged from the book in that they decided to give Captain Nemo a defined nationality — either as a European or Indian — as well as a backstory that would explain his hatred of humanity.
He was the eldest of five children, having one brother and three sisters. However, there he became involved in artistic circles and wrote several plays and short stories. In , he married Honorine Morel, a widow with two daughters. This new responsibility required him to take on a regular profession, and he started work as a stockbroker.
He continued to write and also traveled extensively. A journey to Scotland in in particular affected him deeply and influenced much of his writing. Verne was fascinated by technology and inventions and used much of the material that he gathered on his journeys in his writing. In , Verne and his family moved to Amiens, where he became a member of the Academy. Driven by his love of traveling and the sea, Verne bought himself a yacht on which he continued to travel extensively until he sold it in In March , he fell seriously ill from diabetes and soon died at age 77 on March 24, This literary classic summary has been shared with you by getAbstract.
Try it for free. Also available in:. Literary Classic. Science fiction Victorian literature. The Sea Monster A sea monster is on the loose, and the world is in turmoil.
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